What is a plein air
 painting?

 Plein air is a French
 term meaning painting
 from life in the outdoors.

 Artists who work en
 plein air
do so for a
 number of reasons. 
 They learn by seeing
 Nature as it really is,
 they are able to better
 capture the feeling of a
 place, and there is a
 certain immediacy
 about working from life
 that does not exist in
 studio work.

 The approach to plein
 air
painting varies
 from artist to artist.
 Some artists sketch
 with paper and pencil
 in the out-of-doors,
 some do small quick
 sketches in color and
 others elect to start the
 painting outdoors and
 return to their studio to
 finish the piece.
 However, a true plein
 air
painting is always
 completed from
 beginning to end on
 site with the subject
 matter before the artist.
 Generally, a painting
 session lasts no longer
 than one-and-a-half to
 two hours.  Artists who
 begin and complete
 their paintings in one
 session generally work
 quite small on 8" x 10"
 or 11" x 14" supports. 
 Others may elect to
 return to the same
 location on ensuing
 days of similar weather
 and light conditions to
 finish larger works.
 Only very minor touch
 ups in the studio are
 appropriate for a true
  plein air painting.

 For these reasons
 only plein air
 
paintings, that are
 executed from
 beginning to end within
 specified time frames,
 will be given
 consideration at
 GLPAPA competitions.

In the beginning...

In 2002, four artist friends in Lansing, Michigan began talking about the idea of an organization that would promote the beauty and diversity of the Great Lakes region of the country and help educate the public on the critical need for the fine arts in children's daily lives.  The friends, plein air painting partners, decided the best way to accomplish both objectives was to form an organization of plein air painters, who through their activity, could introduce the public to working artists.  Thus, in February 2004, the Great Lakes Plein Air Painters Association (GLPAPA) was founded.





The four initiating friends of the organization from
left to right: Virginia "Ginny" Artis, Diane Harte,
Carol Repp, and Sharon Griffes Tarr.




What is the Great Lakes Region?

From the beginning, GLPAPA was interested in documenting the diverse eco-systems of the Great Lakes region.  The Lakes and their watershed cover a vast region of the United States and are unique in many respects.  Natural environments include rivers, lakes, and ponds, as well as forests, marshes, uplands, plains, hills, mountains, unique rock formations, and enormous sand dunes.  Human kind has also left its imprint on this region from small family farms to major cities with their commerce, industry and parks.  The Lakes and their watershed are utilized in one way or another by all who live or visit.

The Great Lakes touch the shores of eight states, roughly one-fifth of the United States.  They are: New York, Pennsylvania, Ohio, Michigan, Indiana, Illinois, Wisconsin and Minnesota.  The region is a vast cornucopia of subject matter for plein air artists interested in expressing and recording its diversity.





Jean Anton painting at Little Sable Lighthouse




What does GLPAPA do?

GLPAPA provides a minimum of six monthly plein air painting meets each year in its headquarters state of Michigan or nearby locales.  In addition, the organization offers painting workshops, and conducts plein air competitions with possible site selections anywhere within the Great Lakes region. 

With such a vast region, it is not possible at this time for the organization to coordinate numerous painting meets far from its home base.  However, GLPAPA encourages local groups throughout the region to provide opportunities for artists to paint together on a regular basis.  GLPAPA will gladly network and offer what advice and help it can to assist local groups in initiating and planning their events.   GLPAPA  provides regional and national opportunities for artists to compete, exhibit, and sell their plein air works of art created at GLPAPA sponsored events.


Member participation

Artists interested in participating in the planning of GLPAPA events, committee work and/or involving themselves in Board work should feel free to contact the President and make their wishes known.  Much of the association's work is done via e-mail due to the distance factor.  Geography is not a deterrent to involvement.  Generally, the Board meets formally only once or twice a year.  All other coordinating activity is done via e-mail or by telephone without formal meetings.


Education for members and the public

A major goal of GLPAPA includes educational opportunities for Artist Members through critique sessions, demonstrations and workshops provided by the organization's Master Members.  Critiques are an important part of each painting meet.  During the winter months, at least one educational event is offered annually for members.

The public education program is to gain more support for the graphic fine arts in our school systems through K-12 teacher, parent and administration coordination.


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